Notes from
the workshop.

Ten minutes, twice a year: everything you need to keep a hardwax oil finish looking new.

One wood, chosen for how it ages, how it repairs and where it grows.

How a row of thin oak reeds became the softest way to close a cabinet.

Frames, fillings and fabrics: what to look for before you buy, and what to ignore.

Why every lamp we make is about softening light, not adding more of it.

How we tuned the runners of the Swell chair until one swing lasted about as long as a slow breath.